This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
THE CREATECH REPORT 2021
Mapping the intersection of technology and creativity
Part 1 Investment
Commissioned by the Creative Industries Council (CIC)
The Creative Industries Council is a joint forum between the UK creative industries and government. Set up to be a voice for the Creative Industries, the Council focus on areas where there are opportunities for, and barriers to, growth for the sector, such as access to finance, skills, export markets, regulation, intellectual property (IP) and infrastructure. Council members are leading figureheads drawn from across the creative and digital industries including computer games, design, fashion, music, arts, advertising, publishing, film and television. The council is co-chaired by The Rt Hon Oliver Dowden CBE MP, Secretary of State for Digital, Culture, Media and Sport (DCMS), The Rt Hon Kwasi Kwarteng MP, Secretary of State for Business, Energy and Industrial Strategy (BEIS) and Tim Davie CBE, Director General, BBC.
Find out more at www.thecreativeindustries.co.uk
In association with Digital Catapult and Moore Kingston Smith
Digital Catapult
Digital Catapult is the leading authority on advanced digital technologies and the only innovation organisation with a specific remit for the creative industries on behalf of UK government. Digital Catapult has been a key partner of CreaTech since its inception.
Digital Catapult’s internationally recognised programmes and facilities are helping creative organisations to develop, adopt and embed advanced digital technologies that drive innovation, productivity and competition. It’s not just immersive tech that’s making a difference: applications for IoT, 5G, distributed ledgers, AI and machine learning are just as prevalent in the creative industries as they are in manufacturing, helping to drive the emergence of tech in the sector and open up new markets and business opportunities.
Find out more at www.digicatapult.org.uk
Moore Kingston Smith
Moore Kingston Smith is committed to helping put CreaTech on the map as a unified sector, recognized internationally for its innovation, collaboration and creativity.
As the only firm of accountants and advisers with a dedicated office of over 100 media specialists, we proactively support independent media businesses throughout their life cycle. From a corporate finance perspective, this involves preparing CreaTech businesses for, and advising on, funding rounds and ultimately sales processes.
In an industry that powers on innovation, there is considerable opportunity for CreaTech companies to leverage R&D tax credits. In addition to our accountancy and tax compliance services, our team helps clients make the most of this scheme.
As commercial partner of www.thecreativeindustries.co.uk, the official website of the Creative Industries Council (CIC), and an associate partner of the CIC CreaTech programme, we are fully integrated in the drive to help the CreaTech sector thrive on both the national and international stage. Consistent with CIC’s commitment to providing a unifying platform for the sector to demonstrate its extensive investment potential, our purpose is to bolster CreaTech businesses through access to our strategic advice that supports them maximise their growth.
As a member of Moore Global - a network of accountancy and advisory firms in over 100 countries – Moore Kingston Smith is also excellently placed to provide support to global CreaTech businesses, or those looking to expand internationally.
Find out more at www.mooreks.co.uk/media or contact Rob Husband, Partner, Moore Kingston Smith, rhusband@mks.co.uk
Executive summary
The UK has long been renowned as a shining light in the global tech ecosystem, and, equally, seen as a preeminent creative force in the world.
Creativity and technology have, however, never been inextricable. This briefing is the first part of a two stage report mapping CreaTech - the intersection of creativity and technology. This stage will focus on the industrial definition of CreaTech, drawing on firm level data to bound and explore this emerging area of the UK economy.
For definitions of key terms used throughout the report, please see our Scaleup Glossary.
Key statistics
- CreaTech companies in the UK raised nearly £1bn in VC investment in 2020, a 22% increase from 2019
- The UK is third in the world for CreaTech VC investment, behind just the US and China
- CreaTech investment constituted over 9% of total tech sector investment in 2020, compared to 6% in the US and China
- CreaTech companies raised more than Energy tech in 2020, with just under £1bn, compared to Energy tech's £846mn
- CreaTech VC investment represented approximately 25% of that invested in Fintech in 2020
- Artificial Intelligence and Machine Learning based companies received the highest proportion of CreaTech investment in 2020 with £478mn raised
Forewords
Minister of State for Digital and Culture
Caroline Dinenage MP
The creative industries make a huge contribution to our country, both culturally and economically, constantly finding new ways to engage audiences, create jobs, and generate investment.
Whilst the UK is a European leader in the sector, this is a position that we must not take for granted as we strive to become leaders on the world CreaTech stage.
We will continue to work hard to encourage and enable the growth of CreaTech and I welcome the role The CreaTech Report 2021 will play in helping us to better understand this fast-growing space.
As almost £1 billion in investment clearly demonstrates, CreaTech will play a vital role as the UK builds back better from the challenges of the Covid-19 pandemic.
Chair, CIC CreaTech & Director of Marketing Strategy, IPA
Janet Hull OBE
Lesser known than FinTech or EdTech, CreaTech is the intersection of creative and tech industries where artificial intelligence, algorithms, and specialised software are transforming creative products, services, and business processes.
The term encompasses both the application of technology to creative industries, and the co-creation of tech products and services to improve ways of generating and experiencing creative output.
The CreaTech Report 2021 commissioned from Tech Nation by the Creative Industries Council (CIC), in association with Digital Catapult and Moore Kingston Smith, provides an evidence base for tech companies and leaders to develop their understanding and strategies to take advantage of the growth opportunities enabled by CreaTech.
The report is the first stage of research that will also look in greater depth at CreaTech’s impact on UK jobs and skills.
What is CreaTech?
Creative technology (CreaTech) is used to describe new tech that seeks to improve and automate the delivery and use of creative services. CreaTech is utilised to support both companies and consumers better manage their operations and processes by applying specialised software and algorithms that are used on computers, smartphones, consoles and other Internet of Things devices.
Figure 1 Illustration of the interface between creative and tech industries, CreaTech
(Source: Tech Nation, 2021)
This report looks at CreaTech companies through an industrial lens - where companies are described as operating in both the creative and tech sectors.
Put simply, we are looking at the interface of tech, and creative industries - which captures both the transformation of the creative industries by technology, and the co-creation of new tech products and services for creative outputs, processes, products and services.
Sectors that fall within this analysis include Design, Crafts, Music, Museums, Fashion, Film/ TV/ Radio, Music and Entertainment, esports, Marketing Tech, Architecture, Augmented Reality, Virtual Reality, Adtech, Gaming and Media.
UK overview
Despite tough economic conditions for creative enterprise, CreaTech companies raised a record £981.8mn in 2020.
There were several notable deals within CreaTech including Moonbug, a digital entertainment platform raised £95mn pushing their total investment to £209m illustrating the resilience of this area of activity.
Figure 2 VC investment in UK CreaTech companies from 2017 to 2020 (£mn)
(Source: Tech Nation, Pitchbook, 2021)
Since 2017 CreaTech companies have seen steady growth in investment which started to show real promise in 2017 with £499mn raised, increasing by 50% in 2018 to £759mn and reaching £981.8mn in 2020.
These CreaTech deals were across several areas of activity including Artificial Intelligence (AI) and Machine Learning (ML), Technology, Media and Telecom and Mobility Tech. A company may be in more than one area of activity - definitions do not separate companies but rather companies can be intertwined and be a part of multiple spaces.
Case study
Cutting edge CreaTech
Aleksandra Pedraszewska
VividQ
VividQ is a deep tech company with world-leading expertise in computer-generated holography. Our technology stack powers next-generation displays for augmented reality wearables, automotive head-up displays, and consumer electronics.
Click to read more
Figure 3 Map showing investment in UK CreaTech companies by area of activity in which they operate
(Source: Tech Nation, Pitchbook, 2021)
Artificial Intelligence and Machine Learning companies received the highest proportion of CreaTech investment in 2020 with £478mn
This highlights the importance of deep tech as a prominent driver of innovation within the CreaTech space. This huge influx of investment went to companies such as Edited which raised £22mn for a platform which AI to develop real time analytics for retailer decision making. Technology, Media and Telecom (TMT) companies raised £440mn whilst Mobility Tech companies raised £285mn.
Augmented Reality (AR) and Virtual (VR) companies combined to raise over £130mn showcasing growth in reality platforms.
Domestic and US investors accounted for 82% of CreaTech investment in 2020
Figure 4 Proportion of investment made into CreaTech companies by source country (2017-2020)
(Source: Tech Nation, Pitchbook, 2021)
Between 2017 and 2020, 64% of investment came from UK investors. In the same time period, 19% of the Deals came from the United States, 2% came from Germany and 1.4% came from France.
The top 10 investors in UK CreaTech by number of deals conducted are:
- Ascension Ventures
- SFC Capital
- Downing Ventures
- Innovate UK
- London Co-Investment Fund
- Octopus Ventures
- Mercia Asset Management
- Scottish Enterprise
- Force Over Mass Capital
- Founders Factory
Regional CreaTech investment has been generally resilient through 2020, though some regions witnessed sharp reductions in VC funding
Figure 5 UK clusters of VC investment in CreaTech companies
(Source: Tech Nation, Pitchbook, 2021)
- Companies in London received £486mn in VC investment, an increase from from £352mn in 2019.
- The South East of England raised £24mn from 11 deals.
- The East of England raised £13mn from 5 deals.
- Scottish CreaTech companies raised £7.5mn in investment, an increase from £4.6mn in 2019.
UK investment trends
CreaTech Investment boomed in the second half of 2020, after a dip in the second quarter
Investment within CreaTech got off to a strong start in 2020 reaching with 56 deals totaling £270mn. In Q1, come of the high profile deals included £21mn to Plant Smart City, a platform which designs real estate projects. Alongside other industries, Q2 brought a dip in investment due to Covid-19, falling to £133mn.
Figure 6 VC investment into UK CreaTech companies by quarter in 2020 (£mn)
(Source: Tech Nation, Pitchbook, 2021)
Though investment fell, there were only 6 less deals compared to Q1 which included UK fashion powerhouse Depop raising a £50mn series C. By Q3 investment more than doubled, to £272mn and a further 12% uplift was seen by Q4, which included deals such as a £25mn Series C into Brightpearl, a cloud based Marketing Tech platform.
Scotland, the South West and London saw high median CreaTech investments from 2015 to 2020
Figure 7 Median VC investments made into CreaTech companies in the UK by region (2015-2020) (£mn)
(Source: Tech Nation, Beauhurst and Pitchbook, 2021)
Across the past 5 years, median investment has highlighted the emergence of this space with all regions showing strong investment. The South West of the UK had the highest median investment in CreaTech with £1.65mn followed by Scotland with £1.37mn and in London median investment was £1.21mn.
European investment trends
Europe is an emerging CreaTech investment hub
Figure 8 Investment in European CreaTech companies by country in 2020 (£bn)
(Source: Tech Nation, Pitchbook, 2021)
In 2020, the UK led the way for CreaTech Investment in Europe clocking up just under £1bn in venture capital deals. France also received significant investment with £487mn followed by Germany with £266mn, Sweden with £159mn and the Netherlands with £73mn.
Figure 9 VC investment in CreaTech companies in Europe by country from 2017 to 2020 (£bn)
(Source: Tech Nation, Pitchbook, 2021)
Between 2017 and 2020, investment in UK Createch grew by nearly 100% from £498mn to £981mn.
In France, CreaTech investment has nearly tripled from £180mn to £487mn since 2017. German CreaTech investment increased 16% over the same period from £228mn to £265mn, but peaked in 2018 - a record year for German companies - when £398mn in investment was witnessed. In the Netherlands, investment in CreaTech grew exponentially - from a very low base, from £3mn to £74mn, whilst Swedish CreaTech companies received £114mn in 2017, which increased by 40% to £169mn in 2020 - the strongest growth in Scandinavia.
Global investment trends
The UK was third in the world for CreaTech investment in 2020, but more CreaTech dense than any other top nation, with around 9% of total tech VC investment represented by this emerging space
Figure 10 VC investment in CreaTech companies by country in 2020 (£mn)
(Source: Tech Nation, Pitchbook, 2021)
The US has shown itself to be a leader in CreaTech with several unicorns in the sector. In 2020, £6.5bn was invested into US Createch companies, more than triple the next highest country, China. This included a £284mn investment into Magic Leap, a virtual computer interface platform which uses augmented reality pushing their total investments received to £2.5bn with a valuation of £5.13bn.
Chinese CreaTech companies raised £1.9bn in 2020, more than all other Asian nations combined.
Figure 11 VC investment in CreaTech companies in Asian and the Middle East in 2020 (£mn)
(Source: Tech Nation, Pitchbook, 2021)
South Korean companies raised £196mn in VC investment and had a large-scale IPO in 2020, Coupang, an online retail platform designed to assist brands monetise their social fanbase. India received £140mn in investment, 20% more than Japanese companies which raised £117mn.
Case study
Transforming venues with AI
Tanuvi Ethunandan
Data Duopoly
At Data Duopoly, we believe in our mission to revolutionise the visitor experience in any venue worldwide.
And that is what we are doing. Even in the depths of the pandemic, we brought the combination of our creative and data-driven mindsets together to create solutions to real-world problems.
We utilise the hardware already sitting in people’s pockets and link that with downstream satellite data to create a personalised experience to visitors at a venue, while also providing valuable, anonymised data insights to venues themselves. We democratise the information sharing process, providing value to both the venue and visitor in one product.
Click to read more
From 2018 CreaTech investment into many Asian and Middle Eastern countries has been on the decline
Figure 12 VC investment in CreaTech companies in Asia and the Middle East by country from 2017 to 2020 (£bn)
(Source: Tech Nation, Pitchbook, 2021)
Nevertheless, this was not the case across the board - Israel and India both saw growth between 2019 and 2020. In Israel, investment increased by 40%, from £324mn in 2019 to £461mn in 2020.
Israeli companies raised £461mn in 2020, amongst them - lightricks - a content creation tool which has raised a total of £161mn. Virtual Reality (VR) makes up a substantial portion of CreaTech investment in Israel, £96.24mn was invested in VR companies in 2020 through 5 large deals.
In India, investment increased by 60% from £88mn to £140mn from 2017 to 2020. Both Chinese and South Korean companies saw the reverse, though China still leads in investment in the region, investment fell from £3bn in 2019 to £1.9bn in 2020.
In South Korea, investment fell from £711mn to £196mn in 2020. China, India and South Korea all received record CreaTech investment in 2018, with China receiving £5bn, South Korea receiving £1.6bn and Indian companies receiving £580bn.
CreaTech unicorns are making themselves known, in the UK, and globally
CreaTech companies are now among the top valued worldwide with an ever increasing amount of companies becoming unicorns. This includes Coupang of South Korea, valued at £35bn, Sheln in China valued at £12bn and Oxsight in the UK, valued at £1.7bn.
Figure 13 Global CreaTech unicorns
(Source: Tech Nation, Pitchbook, 2021)
Next Steps
This briefing is the first of two parts, and focused on investment.
The second part of this research project will explore CreaTech employment, jobs and skills, and dive into opportunities and challenges for the future growth of this dynamic, and emerging sector.
In exploring CreaTech through multiple lenses, the blend of creative and tech industries, CreaTech products and processes at a firm level, and the use of creative and technical skills in a role, we hope to provide a thorough examination of this emerging area of the UK economy, and outline mechanisms to support its continued growth.
Methodology
The data sources for this research were Beauhurst and Pitchbook.
To explore CreaTech companies using both data sources, a number of key terms were used. They include Design, Crafts, Music, Museums, Fashion, Film/ TV/ Radio, Music and Entertainment, esports, Immersive and promenade theatre, Marketing Tech, Architecture, Augmented Reality, Virtual Reality, Adtech, Gaming and Media, Gamification, and 3D printing.
Beauhurst is data platform which allows access to over 7 million UK registered businesses, and a subset of this, 30,000 UK tracked startups and scaleups. The platform shows all the UK high growth companies ranging from those using venture capital to crowdfunding. Beauhurst collects key information including sector, company description, stage of evolution and financial statistics.
Pitchbook data was used to analyse emerging trends in technology. Pitchbook is a data and financial software company. They collect data using over 650,000 web crawlers capturing relevant information from news articles, regulatory findings, press releases, websites and other sources. They use natural language processing to filter out all irrelevant data while having a Quality Assurance team manually review the data and a research team which validates the data with the source.
Comment
Investing in CreaTech
Jean de Fougerolles, Managing Partner
Ascension Ventures
We've heavily invested in NextGen Media businesses for the past seven as that's our background as business operators, prior to forming Ascension. We understand the space really well and can also support these ventures to scale through our networks. We've been particularly interested in backing businesses at the intersection of digital media (video / music / words) and New Work, also known as the Passion Economy. These are new platforms and tools that allow individuals to monetise their skills, scale their businesses exponentially and earn income - businesses like ChiliConnect (acquired by Unity), Cloudbounce, Entale, GEEIQ, Highbrow, Kuula, Music Gurus, Poplar, Rotor, Trackd, Vidsy, Virtual Trips, and Vochlea. It removes the shackles associated with ‘gig’ work, and provides platforms for freelancers to create content that can be consumed at all times.